it’s part of the storyOur full coverage of the latest Apple news.
NSPro cameras aren’t a revolution in the iPhone 12, but there are some neat changes that get pro photographers like me very excited. Here’s what I’m getting popping up.
i have usedEver since it launched, and I’m often blown away by the shots I can achieve with it. This is especially true when I’m using ProRaw and editing my shots in apps like Adobe Lightroom. That’s why I’m interested to hear if the main camera has an even bigger image sensor with f1.5 aperture. This is going to allow it to capture a lot more light. More light means better photos.
The telephoto zoom has been increased from 2.5x to 3x, which is also welcome. I use the telephoto zoom on my phone to get more interesting compositions in landscapes that can get lost if I shoot with the wide-angle lens on all the time. Still, I’d have liked to see an even bigger zoom boost to put it closer to the Galaxy S21 Ultra’s amazing 10x optical zoom.
Super-wide and macro
Then there’s the super-wide-angle lens, which has a much wider aperture and better Night Mode for better shots in the dark. That’s great, because the 12 Pro Max’s super-wide shots. The Super-Wide also has a new macro function, so you can capture shots of objects as close as 2 centimeters (a little over three-quarters of an inch) from the phone. I Love One can spend hours crawling through the underground looking for things to do for macro photography and shooting, so I’m really curious to see how the 13 Pro compares with my typical macro setup.
But it’s the video skill that’s probably been given the biggest update here. I’ve shot hours and hours of video with my 12 Pro Max and regularly use it as a vlogging tool for my own photography YouTube channel. The 13 Pro’s wide aperture and large telephoto zoom will already go a long way to improving the overall quality of the videos you can capture, but the new Cinematic Mode can help add an extra pro touch to your filmmaking. could.
In Cinematic mode, the camera will dynamically keep focus on a subject’s face as the subject moves through the scene. If the person looks away from the camera, the focus will shift as well – just like manually shifting focus on Pro Cinema cameras. You can also tap to shift focus and double-tap a face to lock focus. But that focus and depth data isn’t baked into the video clip — you can go back and edit the amount of bokeh and focus points in your video. after You shot it.
I’m also very excited to see that Apple ProRes will arrive in the 13 Pro later this year. For those of you who are not familiar,Apple has developed what compresses the video file but retains excellent image and color data, allowing for much greater control and quality when it comes to postproduction. It is often used for commercials and feature films, but this will be the first time it will be seen on a mobile device.
The 13 Pro will be able to shoot in ProRes at 4K resolution at 30 frames per second, and I can’t wait to see what kind of professional cinematic quality it’s possible to achieve in your phone video. Am I curious to see if I can give my little weekend YouTube channel a major cinematic overhaul? I’m sorry
Certainly the sharp, sharp performance will be helpful when shooting in sunny conditions, the 1TB max storage option will be useful for storing all those 4K ProRes videos, and I think the new A15 Bionic processor is the beating heart of all that fancy. Processing new video.
So no, it’s not a revolution in photography, and I’m a little disappointed not to see an even bigger zoom lens. But the iPhone 12 Pro Max was already great for photography, and the 13 Pro takes all the elements that make it great and gives each one a nice upgrade. It probably won’t be worth the upgrade to the 12 Pro Max, but if you’re running an older handset and looking for the best in mobile photography and videography, the iPhone 13 Pro could be the phone for you.