Netflix’s Midnight Mass is more slow-burning horror from the creator of Hill House

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There’s a lot of fear in Mike Flanagan’s latest

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during ghostly Anthology, creator Mike Flanagan has carved out a very special brand of horror. Both Hill House And Bailey Manoro are slow and methodical, with intricate stories that carefully weave haunting horror with family drama. Their small circle keeps them focused. Flanagan’s latest, midnight MassNot part of that compilation, although in many ways it looks like it is. It has a similar patient build-up, an intense focus on family dynamics, and even a somewhat similar cast. but midnight Mass Also widens the scope – and scares. Instead of a family home, its story covers a small fishing village, and is more about demons rather than ghosts. It takes a while to let go, but in the end it descends into pure and gruesome horror.


midnight Mass Crockett Island, colloquially known as Crock Pot, is an isolated island with a population of just over a hundred. There are two important things to know about the island. First, it has been on a steady decline after an oil spill decimated the local fishing industry. Second, it is a very religious place, with St. Patrick’s Church serving as the de facto center of the city. At the beginning of the show, the Big Island drama concerns an elderly local priest who went on a pilgrimage and returned ill, and is now resting in a hospital on the mainland. A mysterious, young Father Paul (Hamish Linklater) arrives to take his place temporarily. Paul rejuvenates the community of the island, transforming the church into a bustling, vibrant place it once was.

Strange things start to happen as soon as he arrives. One day, dozens of dead cats are washed away on a beach. Later, a resident swore that he saw the old priest going for a walk in the midst of a deadly storm. Strange still are miracles: the aging residents begin to regain their youth, and a young girl rises from her wheelchair and walks to receive the banquet. All these seemingly isolated developments are linked to the show’s big twist, which is revealed about halfway through.

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Like most small town mysteries, midnight Mass There is a dress. The story begins with Riley Flynn (Zach Guilford), a former altar boy who leaves the island, only to return after a stint in prison for a fatal DUI that continues to haunt her. He is joined by childhood friend Erin Green (Kate Siegel), who has likewise returned to Crockett after a lifetime away from the island, now pregnant and living at his mother’s old home, while at the local school. doing her old job. There is also the town’s Sheriff Hassan (Rahul Kohli), a former NYPD officer and appears to be the only non-Christian on the island; Bev (Samantha Sloane), the staunchly just religious type who helps run the church and blames people for participating; town doctor Sarah (Annabeth Gish) who is struggling to explain what is happening to her patients; and Riley’s parents (Henry Thomas and Kristin Lehmann) who are trying to keep it together as they take in their troubled adult son.

Even though there’s a lot to track, you’ll get to get to know these characters in depth throughout the show’s seven episodes, because if there’s one thing Crockett’s residents love more than one thing, it’s talking. a large part of midnight Mass‘ is dedicated to run-time dialogue. You’ll hear the new priest’s long sermons, intense and revelatory AA meetings, and too many childhood stories to count. Everyone introduces their ideas with some sort of monologue. The show is almost like a nesting doll of fairytales. This can border on overload at times, although it helps that the performances are equally great. As much as I wanted to see what happened next, I couldn’t help but be drawn into long, drawn-out speeches about death and the meaning of life. These moments also help set the tone. Much of the show is calm and thoughtful, which makes the dark moments really difficult.

Photo: EK Schrotter / Netflix

and there are some very dark moments. In the first few episodes, midnight Mass feels great ghostly shows. There really aren’t jump scares or bloody murders. It’s the kind of panic you see with your fingers that something terrible is happening… only it rarely happens. Eventually the show breaks loose in a big, bloody way. It’s Slowly – Some Deaths Here, Some Terrifying Revelations – But By The End midnight Mass plunges into complete panic. Like, we’re going to run-because-we-all-die. The gruesome-killer-that-keeps-up-night kind of terror. And it’s all the more frightening because of how slowly the show progresses, and how connected you feel to the main characters.

perhaps the most remarkable midnight Mass How it manages to balance those more reflective elements ghostly The series – grim reflection on grief and guilt, faith and family – with more traditional horror elements. This does not lose sight of what made Flanagan’s previous work so successful. Instead it turns it into something bigger, more disturbing, and a whole lot more scary.

midnight Mass Streaming starts on Netflix from September 24.

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